Wednesday, April 16, 2014

Oscar Predictions 2014: April

It has now been over two months since my last post, and I unfortunately am still viewless. That's right, I have yet to see a theatrical release this year. Unlike past years, fortunately, this is not for lack of material. I want to see the following films, most of them because they're supposed to be good (the exception(s) are obvious):
The Grand Budapest Hotel - Wes Anderson is one of my favorite directors/writers around. End of story. Wait, Ralph Fiennes.
Noah - The controversy can die a quick death as far as I'm concerned. In the midst of all the religious schlock (and I'm a practicing Christian) released every year around the time (Easter), a Biblical film made for entertainment, something that arguably hasn't been done since the 1950s has just been released with CGI, bearded Russell Crowe, Emma Watson, and a probably underused Ray Winstone (also not 217 minutes long) , and I'll drown before I skip it.
The Lego Movie - I thought it was going to be seen as child-only material, but it surprised (not just me, I don't think), and I now I really want to see it.
Only Lovers Left Alive - Jim Jarmusch, Tom Hiddleston, Tilda Swinton, AND JOHN HURT!!! What's there to deter me?
Muppets Most Wanted - I'm sure it won't be as good as the initial reboot, but it doesn't need to be to entertain me (especially with Tina Fey in the cast).
300: Rise of an Empire - Eva Green
Enemy - Given Jake Gyllenhaal's powerhouse performance in Prisoners, I'm incredibly excited to see if he can continue putting out top-notch work.
Under the Skin – I like science fiction and appreciate Scarlett Johansson’s acting abilities slighty (ONLY SLIGHTLY) more than most, so when she’s praised more highly than ever before I’m in. Also, I’m a fan of well-made sci-fi, and this looks to fit that bill.
Jodorowsky's Dune - The trailer looked fascinating. I can also get angry it never was (nor will it ever be) made.

To a lesser extent, I also want to see:
Oculus - I don't like horror because I think the scare methods are clichéd and dumb nowadays, but this one, at least according to early reviews sounds different.
Draft Day - I'll admit it, I want to see it, unless it gets poor reviews, of course.
The Railway Man - It's probably be schmaltzy and pastiche, but I have to cover all of my bases. This is just the sort of film the Oscars like going for. The issue is, of course, it came out 6-8 months too early.
Joe - Nicolas Cage's beard looks horribly fake, at least in production stills, but Tye Sheridan gave the best child performance I've ever seen in Mud last year, and I can't wait to see what he does next. This is down here instead of above because I fear it will be too similar, and therefore inferior, to Mud.
Captain America: The Winter Soldier - I haven't seen an entire Marvel movie since Iron Man (I've only seen parts of Iron Man 2), but the buzz this is receiving beyond just the usual good visual effects stuff is enticing.


Now on to the main point of this article, Oscar predictions, 10 months out. I’m not going to touch on the non-major categories, except to say that I hope Roger Deakins finally wins for Unbroken, regardless of how good his work actually ends up being in it.

The vast majority, if not all, of my contenders are taken from the contenders listed by Clayton Davis at [link to http://www.awardscircuit.com/oscar-predictions/ as Awards Circuit] (I just don’t have time to do it any other way), but where I place the films will be different

Best Picture:
First 10:
1.      Big Eyes—Tim Burton
2.      Birdman—Alejandro González Iñárritu
3.      Foxcatcher—Bennett Miller
4.      Fury—David Ayer
5.      Gone Girl—David Fincher
6.      Inherent Vice—Paul Thomas Anderson
7.      Interstellar—Christopher Nolan
8.      The Judge—David Dobkin
9.      Trash—Stephen Daldry
10.  Unbroken—Angelina Jolie

Next 10:
11.  Boyhood—Richard Linklater
12.  The Disappearance of Eleanor Rigby—Ned Benson
13.  Exodus—Ridley Scott
14.  The Giver—Phillip Noyce
15.  The Grand Budapest Hotel—Wes Anderson
16.  The Homesman—Tommy Lee Jones
17.  Into the Woods—Rob Marshall
18.  Jersey Boys—Clint Eastwood
19.  Kill the Messenger—Michael Cuesta
20.  Suite française—Saul Dibb


Best Director:
First 5:
1.      Paul Thomas Anderson—Inherent Vice
2.      Tim Burton—Big Eyes
3.      David Fincher—Gone Girl
4.      Bennett Miller—Foxcatcher
5.      Christopher Nolan—Interstellar

Next 5:
6.      David Ayer—Fury
7.      Stephen Daldry—Trash
8.      Alejandro González Iñárritu—Birdman
9.      Rob Marshall—Into the Woods
10.  Ridley Scott—Exodus

Another 10:
11.  Wes Anderson—The Grand Budapest Hotel
12.  Ned Benson—The Disappearance of Eleanor Rigby
13.  J.C. Chandor—A Most Violent Year
14.  David Cronenberg—Map to the Stars
15.  Michael Cuesta—Kill the Messenger
16.  Saul Dibb—Suite française
17.  David Dobkin—The Judge
18.  Angelina Jolie—Unbroken
19.  Richard Linklater—Boyhood
20.  Terrence Malick—Knight of Cups


Best Actor:
First 5:
1.      Michael Keaton—Birdman
2.      Joaquin Phoenix—Inherent Vice
3.      Brad Pitt-Fury
4.      Robert Downey, Jr.—The Judge
5.      Robin Williams—The Angriest Man in Brooklyn

Next 5:
6.      Steve Carell—Foxcatcher
7.      Brendan Gleeson—Calvary
8.      Philip Seymour Hoffman—A Most Wanted Man
9.      James McAvoy—The Disappearance of Eleanor Rigby
10.  Timothy Spall—Mr. Turner

Another 10:
11.  Ben Affleck—Steve Carell
12.  Chadwick Boseman—Get on Up
13.  Benedict Cumberbatch—The Imitation Game
14.  Ralph Fiennes—The Grand Budapest Hotel
15.  Tom Hardy—The Drop
16.  Matthew McConaughey—Interstellar
17.  Viggo Mortensen—The Two Faces of January
18.  Michael Shannon—99 Homes
19.  Timothy Spall—Mr. Turner
20.  Christoph Waltz—Big Eyes
Many places have Michael Fassbender in Macbeth, but IMDB has that listed as a likely 2015 release, so I have not listed it. If Terry Gilliam’s The Zero Theorem ever gets a US release, Christoph Waltz may get in the Another 10 section.


Best Actress:
First 5:
1.      Amy Adams—Big Eyes
2.      Jessica Chastain—The Disappearance of Eleanor Rigby
3.      Jennifer Lawrence—Serena
4.      Scarlett Johansson—Under the Skin
5.      Jennifer Garner—Men, Women, & Children

Next 5:
6.      Emily Blunt—Into the Woods
7.      Christina Hendricks—How to Catch a Monster
8.      Julianne Moore—Map to the Stars
9.      Rosamund Pike—Gone Girl
10.  Hilary Swank—The Homesman

Another 10:
11.  Cate Blanchett—Carol
12.  Jessica Chastain—Miss Julie
13.  Marion Cotillard—The Immigrant
14.  Kirsten Dunst—The Two Faces of January
15.  Nicole Kidman—The Railway Man
16.  Carey Mulligan—Far from the Madding Crowd
17.  Natalie Portman—Jane Got a Gun
18.  Charlize Theron—Dark Places
19.  Mia Wasikowska—Madame Bovary
20.  Reese Witherspoon—Wild
Like Fassbender, I left out Cotillard in Macbeth (who would’ve made it into my First 5) because of my uncertainty about the release date.


Best Supporting Actor:
First 5:
1.      Steve Buscemi—The Cobbler
2.      Robert Duvall—The Judge
3.      Oscar Isaac—Mojave
4.      Ray Liotta—Kill the Messenger
5.      Edward Norton—Birdman

Next 5:
6.      Josh Brolin—Inherent Vice
7.      Albert Brooks—A Most Violent Year
8.      Johnny Depp—Into the Woods
9.      Chris O’Dowd—Calvary
10.  Mark Ruffalo—Foxcatcher

Another 10:
11.  James Gandolfini—The Drop
12.  Andrew Garfield—99 Homes
13.  John Goodman—The Gambler
14.  Chris Messina—Manglehorn
15.  Scoot McNairy—Black Sea
16.  Gary Oldman—Child 44
17.  Joaquin Phoenix—The Immigrant
18.  Mark Ruffalo—Can a Song Save Your Life?
19.  James Spader—The Homesman
20.  Stanley Tucci—A Little Chaos


Best Supporting Actress:
First 5:
1.      Judy Greer—Men, Women, & Children
2.      Anna Kendrick—Into the Woods
3.      Samantha Morton—Miss Julie
4.      Meryl Streep—Into the Woods
5.      Naomi Watts—Birdman

Next 5:
6.      Patricia Arquette—Boyhood
7.      Holly Hunter—Manglehorn
8.      Jena Malone—Inherent Vice
9.      Noomi Rapace—Child 44
10.  Kristin Scott Thomas—Suite française

Another 10:
11.  Viola Davis—Get on Up
12.  Rosemarie DeWitt-Kill the Messenger
13.  Vera Farmiga—The Judge
14.  Brie Larson—The Gambler
15.  Lesley Manville—Mr. Turner
16.  Elisabeth Moss—Listen Up Phillip
17.  Miranda Otto—The Homesman
18.  Lily Rabe—Pawn Sacrifice
19.  Kelly Reilly—Calvary
20.  Krysten Ritter—Big Eyes
Julianne Moore could just as easily (probably more easily) be nominated here as in Lead.


Adapted Screenplay:
First 5:
1.      Gone Girl—Gillian Flynn
2.      Inherent Vice—Paul Thomas Anderson
3.      Trash—Richard Curtis
4.      Unbroken—Joel and Ethan Coen, William Nicholson, and Richard LaGravenese
5.      Foxcatcher—E. Max Frye and Dan Futterman
Next 5:
6.      The Grand Budapest Hotel—Wes Anderson and Hugo Guiness
7.      The Homesman—Kieran Fitzgerald, Tommy Lee Jones, Wesley Oliver, and Miles Hood Swarthout
8.      Kill the Messenger—Peter Landesman
9.      Suite française—Matt Charman and Saul Dibb
10.  Wild—Nick Hornby

Another 10:
11.  Child 44—Richard Pryce
12.  Dark Places—Gilles Paquet-Brenner
13.  The Drop—Dennis Lehane
14.  Exodus—Bill Collage, Adam Cooper, and Steven Zaillian
15.  Far from the Madding Crowd—Thomas Hardy and David Nicholls
16.  Into the Woods—James Lapine
17.  Men, Women, & Children—James Reitman and Erin Cressida Wilson
18.  Miss Julie—Liv Ullmann
19.  Serena—Christopher Kyle
20.  The Two Faces of January—Hossein Amini


Original Screenplay:
First 5:
1.      Big Eyes—Scott Alexander and Larry Karazewski
2.      Birdman—Alejandro González Iñárritu, Nicolas Giacobone, Alexander Dinelaris, and Armando Bo
3.      Boyhood—Richard Linklater
4.      Fury—David Ayer
5.      Mr. Turner—Mike Leigh

Next 5:
6.      Interstellar—Christopher Nolan and Jonathan Nolan
7.      The Judge—Bill Dubuque, Nick Schenk, and David Seidler
8.      Magic in the Moonlight—Woody Allen
9.      Mojave—William Monahan
10.  A Most Violent Year—J.C. Chandor

Another 10:
11.  The Cobbler—Thomas McCarthy and Paul Sado
12.  The Disappearance of Eleanor Rigby—Ned Benson
13.  The Good Lie—Margaret Nagle
14.  How to Catch a Monster—Ryan Gosling
15.  The Immigrant—James Gray and Ric Menello
16.  Jupiter Ascending—Andy Wachowski and Lana Wachowski
17.  Maps to the Stars—Bruce Wagner
18.  Pawn Sacrifice—Steven Knight, Stephen J. Rivele, and Christopher Wilkinson
19.  The Rover—Joel Edgerton and David Michôd
20.  Whiplash—Damien Chazzelle

As you can see, despite wanting to see the films I discussed at the beginning, I think they have zero chance of getting on the list early one morning next February.


Thursday, March 6, 2014

Oscar Recap

I should have done this on Monday, but I'm doing it now because laziness is too tempting sometimes.

Anyway, I got 22/24. The decisions were incredibly easy to predict this year, and that was a good thing this year because the vast majority (off the top of my head all of the decisions I can have opinions on) went to deserving recipients (mostly Gravity).

I missed Documentary Feature, which I figured would go to The Act of Killing, which had most of the critics awards and stuff, but instead it went to 20 Feet from Stardom about showbusiness, so obviously showbusiness people voted for it. It's evidently feel-good, etc. I will NEVER see the latter, but I'm planning on watching the former in a week or two.

The only other category I missed was Live Action Short, which I assumed would go to the 12 minute film The Voorman Problem, which I saw shortly after the ceremony. I figured people would just vote for Martin Freeman, Tom Hollander, and the English language (over Spanish, French, Finnish, and Danish), but they went for dying children (the Danish) instead of "god" prisoners.

Also, I thought Ellen was terrific. She was quite funny, and I will never complain about a host being funny and not being controversial.

Saturday, March 1, 2014

Oscar Predictions

The Oscars are just around the corner, as in tonight, so here are my predictions, without category run-downs or explanations.

Best Picture:
Nominees:

  1. American Hustle
  2. Captain Phillips
  3. Dallas Buyers Club
  4. Gravity
  5. Her
  6. Nebraska
  7. Philomena
  8. 12 Years a Slave
  9. The Wolf of Wall Street
Will Win: 12 Years a Slave
Spoiler: Gravity
Spoiler 2: American Hustle
Dark Horse: The Wolf of Wall Street
Should Win: 12 Years a Slave
Hopefully Will NOT Win If Justice Exists: American Hustle

Best Director:
Nominees:
  1. Alfonso Cuarón for Gravity
  2. Steve McQueen for 12 Years a Slave
  3. Alexander Payne for Nebraska
  4. Martin Scorsese for The Wolf of Wall Street
  5. David O. Russell for American Hustle
Will Win: Alfonso Cuarón
Spoiler: Steve McQueen
Dark Horse: Martin Scorsese
Should Win: Alfonso Cuarón

Best Actor:
Nominees:
  1. Christian Bale in American Hustle
  2. Bruce Dern in Nebraska
  3. Leonardo DiCaprio in The Wolf of Wall Street
  4. Chiwetel Ejiofor in 12 Years a Slave
  5. Matthew McConaughey in Dallas Buyers Club
Will Win: Matthew McConaughey
Spoiler: Leonardo DiCaprio
Dark Horse: Chiwetel Ejiofor
Should Win: Matthew McConaughey
One the "Will Win" matters because McConaughey has had this in the bag since the movie hit the screen.

Best Actress:
Nominees:
  1. Amy Adams in American Hustle
  2. Cate Blanchett in Blue Jasmine
  3. Sandra Bullock in Gravity
  4. Judi Dench in Philomena
  5. Meryl Streep in August: Osage County
Will Win: Cate Blanchett
Spoiler: Judi Dench (old British people, mainly)
Dark Horse: Amy Adams
Should Win: Sandra Bullock (Brie Larson)
All that said, Blanchett's BAFTA win over Dench all but gives her the Oscar.

Best Supporting Actor:
Nominees:
  1. Barkhad Abdi in Captain Phillips
  2. Bradley Cooper in American Hustle
  3. Michael Fassbender in 12 Years a Slave
  4. Jonah Hill in The Wolf of Wall Street
  5. Jared Leto in Dallas Buyers Club
Will Win: Jared Leto
Spoiler: Michael Fassbender
Dark Horse: Barkhad Abdi (when you win BAFTA, you shouldn't be underestimated)
Should Win: Michael Fassbender
Leto's had this one in the bag almost as long as McConaughey.

Best Supporting Actress:
Nominees:
  1. Sally Hawkins in Blue Jasmine
  2. Jennifer Lawrence in American Hustle
  3. Lupita Nyong'o in 12 Years a Slave
  4. Julia Roberts in August: Osage County
  5. June Squibb in Nebraska
Will Win: Lupita Nyong'o
Spoiler (MAJOR): Jennifer Lawrence (this isn't a Forrest Gump-type Oscar-baity performance (it's Oscar-baity in a different, worse way) and she's not Tracy or Hepburn, but she has almost equivalent awards traction)
Dark Horse: June Squibb
Should Win: Lupita Nyong'o (Sarah Paulson in the same movie)

Best Adapted Screenplay:
Nominees:
  1. Before Midnight
  2. Captain Phillips
  3. Philomena
  4. 12 Years a Slave
  5. The Wolf of Wall Street
Will Win: 12 Years a Slave
Spoiler: The Wolf of Wall Street
Dark Horse: Captain Phillips
Should Win: The Wolf of Wall Street

Best Original Screenplay:
Nominees:
  1. American Hustle
  2. Blue Jasmine
  3. Dallas Buyers Club
  4. Her
  5. Nebraska
Will Win: Her
Spoiler (MAJOR): American Hustle
Dark Horse: Blue Jasmine (Woody Allen is always a threat)
Should Win: Her
American Hustle has more overall traction, but Her seems to have been coming on strong lately.

Best Animated Feature:
Nominees:
  1. The Croods
  2. Despicable Me 2
  3. Ernest and Celestine
  4. Frozen
  5. The Wind Rises
Will Win: Frozen
Spoiler: The Wind Rises (Miyazaki may get a 2nd award for his final project)
Dark Horse: Despicable Me 2
Should Win: Frozen (I'll admit to not having seen The Wind Rises, the only legitimate challenger.)

Best Foreign Language Film:
Nominees:
  1. The Broken Circle Breakdown (from Belgium, in Dutch)
  2. The Great Beauty (from Italy, in Italian)
  3. The Hunt (from Denmark, in Danish)
  4. The Missing Picture (from Cambodia, in French)
  5. Omar (from Palestine, in Arabic)
Will Win: The Great Beauty
Spoiler: The Broken Circle Breakdown
Dark Horse: The Hunt

Best Documentary Feature:
Nominees:
  1. The Act of Killing
  2. Cutie and the Boxer
  3. Dirty Wars
  4. The Square
  5. 20 Feet from Stardom
Will Win: The Act of Killing
Spoiler: 20 Feet from Stardom
Dark Horse: The Square
Dark Horse 2: Dirty Wars

Best Production Design:
Nominees:
  1. American Hustle
  2. Gravity
  3. The Great Gatsby
  4. Her
  5. 12 Years a Slave
Will Win: The Great Gatsby
Spoiler: Gravity
Dark Horse: 12 Years a Slave
Should Win: Her (The Hobbit: The Desolation of Smaug)

Best Cinematography:
Nominees:
  1. The Grandmaster (Philippe Le Sourd)
  2. Gravity (Emmanuel Lubezki)
  3. Inside Llewyn Davis (Bruno Delbonnel)
  4. Nebraska (Phedon Papamichael)
  5. Prisoners (Roger Deakins)
Will Win: Gravity:
Spoiler: Inside Llewyn Davis
Dark Horse: Nebraska
Dark Horse 2: Prisoners
Should Win: Inside Llewyn Davis (or 12 Years a Slave, I can't decide)

Best Costume Design:
Nominees:
  1. American Hustle
  2. The Grandmaster
  3. The Great Gatsby
  4. The Invisible Woman
  5. 12 Years a Slave
Will Win: The Great Gatsby
Spoiler: 12 Years a Slave
Dark Horse: The Invisible Woman
Should Win: 12 Years a Slave or The Invisible Woman

Best (Film) Editing:
Nominees:
  1. American Hustle (Jay Cassidy, Crispin Struthers, and Alan Baumgarten)
  2. Captain Phillips (Christopher Rouse)
  3. Dallas Buyers Club (John Mac McMurphy and Martin pensa)
  4. Gravity (Alfonso Cuarón and Mark Sanger)
  5. 12 Years a Slave (Joe Walker)
Will Win: Gravity
Spoiler: Captain Phillips
Dark Horse: 12 Years a Slave
Should Win: Gravity (or The Wolf of Wall Street, I can't decide)

Best Makeup and Hairstyling:
Nominees:
  1. Dallas Buyers Club
  2. Jackass Presents: Bad Grandpa
  3. The Lone Ranger
Will Win: Dallas Buyers Club (BP nominee has never lost, if I'm not mistaken)
Spoiler: Bad Grandpa
Dark Horse: The Lone Ranger
Should Win: Dallas Buyers Club

Best Original Score:
Nominees:
  1. The Book Thief (John Williams)
  2. Gravity (Steven Price)
  3. Her (William Butler and Owen Pallett (essentially Arcade Fire))
  4. Philomena (Alexandre Desplat)
  5. Saving Mr. Banks (Thomas Newman)
Will Win: Gravity
Spoiler: Her
Dark Horse: Saving Mr. Banks
Should Win: Saving Mr. Banks
Note: For me, Gravity's score's issue is that it fails to show much beyond some incredibly effective suspense music. The movie doesn't really provide many opportunities for nuanced, lower key (or even simply hopeful) work. Arcade Fire's score for Her is too low key for me, and though it works perfectly with every frame of the film, it's simply not ear-catching. Thomas Newman's for Saving Mr. Banks is basically an agglomeration of his best ideas from past films tailor-made to fit a new one. I think he's the best living film composer, so maybe I'm biased, but this trumps his great work for Skyfall, American Beauty, Finding Nemo, and possibly even WALL-E, though it obviously fails to touch Shawshank Redemption.

Best Original Song:
Nominees:
  1. "Happy" from Despicable Me 2 (composed, written, and performed by Pharrell Williams)
  2. "Let It Go" from Frozen (composed and written by Kristen Anderson-Lopez and Robert Lopez, performed by Idina Menzel)
  3. "The Moon Song" from Her (composed by Karen Orzolek (Karen O), written by Orzolek and Spike Jonze, and performed by Karen O)
  4. "Ordinary Love" from Mandela: Long Walk to Freedom (composed by Paul Hewson (Bono), David Evans (The Edge), Adam Clayton, and Larry Mullen, Jr. (U2); written by Hewson; and performed by U2)
Will Win: "Let It Go"
Spoiler: "Ordinary Love"
Dark Horse: "The Moon Song"
Should Win: "Let It Go"
Easiest choice ever. With U2 getting the Golden Globe, Frozen's win is all but assured (the Globes and Oscars almost never agree in this category)

Best Sound Editing:
Nominees:
  1. All Is Lost
  2. Captain Phillips
  3. Gravity
  4. The Hobbit: The Desolation of Smaug
  5. Lone Survivor
Best Sound Mixing:
Nominees:
  1. Captain Phillips
  2. Gravity
  3. The Hobbit: An Unexpected Journey
  4. Inside Llewyn Davis
  5. Lone Survivor
Will Win: Gravity
Spoiler: Inside Llewyn Davis
Dark Horse: Captain Phillips
Should Win: Gravity or Inside Llewyn Davis

Best Visual Effects:
Nominees:
  1. Gravity
  2. The Hobbit: The Desolation of Smaug
  3. Iron Man 3
  4. The Lone Ranger
  5. Star Trek Into Darkness
Will Win: Gravity
Spoiler: The Hobbit: The Desolation of Smaug
Dark Horse: Star Trek Into Darkness
Should Win: Gravity

Best Animated Short:
Nominees:
  1. Feral
  2. Get a Horse
  3. Mr. Hublot
  4. Possessions
  5. Room on the Broom
Will Win: Mr. Hublot
Spoiler: Get a Horse
Dark Horse: Room on the Broom
All signs point to Get a Horse, but I was unimpressed both times I saw it (the two times I saw Frozen), so I'm going for what seems to be the consensus second choice.

Best Documentary Short:
Nominees:
  1. CaveDigger
  2. Facing Fear
  3. Karama Has No Walls
  4. The Last in Number 6: Music Saved My Life
  5. Prison Terminal: The Last Days of Private Jack Hall
Will Win: The Lady in Number 6: Music Saved My Life
Spoiler: Karama Has No Walls
Dark Horse: CaveDigger
I essentially just put things down blindly.

Best Live Action Short:
Nominees:
  1. Aquel no era yo (That Wasn't Me)
  2. Avant que de tout perdre (Just Before Losing Everything)
  3. Helium
  4. Pitääkö mun kaikki hoitaa? (Do I Have to Take Care of Everything?)
  5. The Voorman Problem
Will Win: The Voorman Problem
Spoiler: Helium
Dark Horse: Aquel no era yo (That Wasn't Me)
This is the only short category of which I am essentially certain.

As you can see, I sincerely think (and am hoping with everything I have) that American Hustle gets shutout. If it does, it will be tie the Coens' True Grit (maybe some others, too, I don't know) for 3rd-most nominations without a win, The Turning Point and The Color Purple tied at 1st with 11.

Monday, January 20, 2014

What I Would Have Nominated in 2013

I still haven't done my reactions to the rest of the Oscar category nominations, and I might not get around to it. But, since it won't take very long, I'm going to list my top 10 for all of the main categories, at least insofar as I've seen films. Some categories will have some poorly rated performances and will not even include 10 nominees because I simply have not seen enough, but I will be constantly updating this as I see more.

Best Picture:
  1. 12 Years a Slave—97
  2. Her—96
  3. Frozen—95
  4. Dallas Buyers Club—94
  5. The Wolf of Wall Street—94
  6. Inside Llewyn Davis—93
  7. Mud—93
  8. Gravity—91
  9. Short Term 12—89
  10. Prisoners—88
Other Films with Score >80: Blue Jasmine; Captain Phillips; Enough Said; The Hobbit: The Desolation of Smaug; Wadjda

Best Director:
  1. Alfonso Cuarón for Gravity
  2. Steve McQueen for 12 Years a Slave
  3. Martin Scorsese for The Wolf of Wall Street
  4. Spike Jonze for Her
  5. Joel and Ethan Coen for Inside Llewyn Davis
  6. Jeff Nichols for Mud
  7. Jean-Marc Vallée for Dallas Buyers Club
  8. Denis Villeneuve for Prisoners
  9. Chris Buck and Jennifer Lee for Frozen
  10. Destin Daniel Cretton for Short Term 12
Best Actor:
  1. Matthew McConaughey in Dallas Buyers Club as Ron Woodroof—5
  2. Leonardo DiCaprio in The Wolf of Wall Street as Jordan Belfort—5
  3. Joaquin Phoenix in Her as Theodore Twombly—5
  4. Oscar Isaac in Inside Llewyn Davis as Llewyn Davis—5
  5. Chiwetel Ejiofor in 12 Years a Slave as Solomon Northup—5
  6. Tom Hanks in Captain Phillips as Captain Richard Phillips—5
  7. Jake Gyllenhaal in Prisoners as Detective Loki—5
  8. Tye Sheridan in Mud as Ellis—4.5
  9. Steve Coogan in Philomena as Martin Sixsmith—4.5
  10. Bruce Dern in Nebraska as Woody Grant—4
Best Actress:
  1. Brie Larson in Short Term 12 as Grace—5
  2. Cate Blanchett in Blue Jasmine as Jeanette "Jasmine" Francis—5
  3. Sandra Bullock in Gravity as Dr. Ryan Stone—4.5
  4. Emma Thompson in Saving Mr. Banks as P.L. Travers—4.5
  5. Kristen Bell in Frozen as Princess Anna of Arendelle—4.5
  6. Julia Louis-Dreyfus in Enough Said as Eva—4.5
  7. Agata Kulesza in Ida as Wanda Gruz—4
  8. Judi Dench in Philomena as Philomena Lee—4
  9. Agata Trzebuchowska in Ida as Ida Lebenstein—3.5
  10. Waad Mohammed in Wadjda as Wadjda—3.5
Best Supporting Actor:
  1. Michael Fassbender in 12 Years a Slave as Edwin Epps—5
  2. Barkhad Abdi in Captain Phillips as Abduwali Muse—5
  3. Matthew McConaughey in Mud as Mud—4.5
  4. James Gandolfini in Enough Said as Albert—4.5
  5. Matthew McConaughey in The Wolf of Wall Street as Mark Hanna—4.5
  6. Jared Leto in Dallas Buyers Club as Rayon—5
  7. Luke Evans in The Hobbit: The Desolation of Smaug as Bard the Bowman—4.5
  8. Colin Farrell in Saving Mr. Banks as Travers Goff—4.5
  9. Jeremy Renner in American Hustle as Carmine Polito—4
  10. Richard Armitage in The Hobbit: The Desolation of Smaug as Thorin Oakenshield—4
Best Supporting Actress:
  1. Lupita Nyong’o in 12 Years of Slave as Patsey—5
  2. Sarah Paulson in 12 Years a Slave as Mary Epps—4.5
  3. Melissa Leo in Prisoners as Holly Jones—4.5
  4. Scarlett Johansson in Her as Samantha—4.5
  5. Sally Hawkins in Blue Jasmine as Ginger—4
  6. Carey Mulligan in Inside Llewyn Davis as Jean Berkey—4
  7. Amy Adams in Her as Amy—4
  8. Alfre Woodard in 12 Years a Slave as Mistress Harriet Shaw—4
  9. Reem Abdullah in Wadjda as Mother—3.5
  10. June Squibb in Nebraska as Kate Grant—3.5
Best Adapted Screenplay:
  1. The Wolf of Wall Street (Terence Winter, from the memoir by Jordan Belfort)
  2. 12 Years a Slave (John Ridley, from the memoir Twelve Years a Slave by Solomon Northup)
  3. Philomena (Steve Coogan and Jeff Pope, from the book The Lost Child of Philomena Lee by Martin Sixsmith)
  4. Short Term 12 (Destin Daniel Cretton, from the short film written and directed by him)
  5. Frozen (Jennifer Lee, Chris Buck, and Shane Morris, from the fairy tale The Snow Queen by Hans Christian Andersen)
  6. Captain Phillips (Billy Ray, from the book A Captain's Duty: Somali Pirates, Navy SEALs, and Dangerous Days at Sea by Richard Phillips and Stephan Talty)
  7. The Hobbit: The Desolation of Smaug (Fran Walsh, Philippa Boyens, Peter Jackson, and Guillermo del Toro, from the novel The Hobbit by J.R.R. Tolkien)
Best Original Screenplay:
  1. Her (Spike Jonze)
  2. Mud (Jeff Nichols)
  3. Inside Llewyn Davis (Joel and Ethan Coen)
  4. Dallas Buyers Club (Craig Borten and Melisa Wallack)
  5. Blue Jasmine (Woody Allen)
  6. Enough Said (Nicole Holofcener)
  7. Prisoners (Aaron Guzikowski)
  8. Wadjda (Haifaa al-Mansour)
  9. Gravity (Alfonso Cuarón and Jonás Cuarón)
  10. Saving Mr. Banks (Kelly Marcel and Sue Smith)
I know there are numerous films, performances, etc. not listed here, and that’s because I haven’t seen them. I am attempting to remedy this, though the process with be long.

Her

In the near past, The Beatles told us that all we need is love; in the near future, Spike Jonze’s Her elucidates that the ever-evolving world around us may make The Beatles’ timeless message untrue or, at least, only partly true.

Narratively, Her is a love story about Theodore Twombly and Samantha, an artificially intelligent operating system. But it’s much more than that.

I could talk about the separate elements that make up this remarkable film, such as Joaquin Phoenix’s often touching, intermittently heartwrenching performance as Theodore Twombly; or Scarlett Johansson’s tremendous, powerful voice-work as Samantha, the titular Her; or Amy Adams’ lovely, underrated work as Amy.

I could talk about Spike Jonze’s beautiful, heartfelt direction or his ingenious, visionary, often hysterical (sometimes uneasily so), tight-rope-walking script, which is probably the best I’ve encountered in years.

I could talk about Arcade Fire’s surprisingly great, low-key score; or Hoyte van Hoytema’s gorgeous, largely unsung cinematography; or K.K. Barrett and Gene Serdena’s stunning production design; or Casey Storm’s interesting costumes, composed of a mixture of hipster designs and 70’s tweed.

I could talk almost endlessly about how all of these elements contribute to create the film, and yet I would never begin to scratch the surface of what makes this movie so powerful and compelling.

The near future Jonze envisions is a strangely dystopian world in which an outwardly paradisiacal world conceals a deeply troubled society within. It is a world whose inhabitants are so caught up in the increasing pace of life in their technologically advanced world that they routinely fail to connect with that world.

They hire people to write their thank you notes and congratulatory letters for them. They spend far more of their time using their technology than they do taking advantage of the natural world around them. Worst of all, perhaps, they give up on their personal relationships seemingly at the smallest signs of adversity, having lost either their ability or their will to persevere through rough patches.

Their fast-paced lives have changed them. They want the quick-fix solution.

Physical sex and phone sex have replaced dinner or a cup of coffee as the staples of personal relationships. Indeed, once the passion in a relationship seems to have disappeared, people seem to be more willing to move on than to continue in the relationship.

Into this troubled world steps an artificially intelligent operating system that caters to the personality of its user. It both undermines the problems of this dystopia and affirms them. It largely takes away the physical, carnal aspect of love, allowing for a connection based on emotional compatibility, not physical attraction. But it also exemplifies the desire for a quick-fix. It allows them to answer a few questions and instantly be supplied with a personality that, at least initially, is an emotional match.

Her is a film about love and relationships, but not necessarily about succeeding at either. It is a film that challenges our preconceptions about the nature of love and who can love whom. It is a fascinating examination of the limitations of the human heart’s capacity to give love, of the human mind’s facility to understand what it feels, and, most importantly, of humanity’s ability, or inability, to control what it creates.

Despite its setting, this film isn’t just about the future. Even now, Jonze argues, we have lost sight of what love really is and what it genuinely entails to love another person. The residents of Her’s near future, much like people today, are afraid to do anything real because they fear the heartache and adversity it may, at times, cause. They, and we, fear commitment, want a perfect emotional match, and are willing to sacrifice the tangibility of the human body for an easier time of it.

At one point, Samantha tells Theodore that “The past is just a story we tell ourselves.” In that commitment-afraid world, and in the world of the now, that message is an important one to remember.

No, it’s not totally perfect. I would have liked Jonze to have begun his assessment of the issues surrounding the film’s central relationship about 10-15 minutes earlier than he did. But once the assessment does begin, I could not have asked for a better film. It is a film with a definite thesis, a thesis of important ramifications, but it is never a film that attempts to convince you to agree with it; it is never heavy-handed or pandering, rarely pretentious or haughty, always genuine and honest.

“Only connect” is the powerful and important message of E.M. Forster’s masterful 1910 novel Howards End and of the terrific 1992 film adapted from it. Forster meant that people of all classes and backgrounds should connect with each other. Jonze’s take on this idea is just as powerful. It also could not be timelier. We are who we are because we are human, because we have form. Technology does not. We must connect with other people, or else technology may just decide to get up and walk away. Emotional and physical connection are of equal importance.

96

Thursday, January 16, 2014

Oscar Nomination Reactions 2013

Oscar Nominations Day, it seems, is a day for me to wake up early, getting much less sleep than I otherwise would, because I’m excited to see the nominees as they’re announced. Every year, though, they make decisions that, at best, make me shake my head. This year, though, the Academy really outdid itself. If not for my sleeping roommate, there were have been much yelling (and perhaps even some expletive flinging) at some of this year’s head-scratchers.

Here are my reactions to the main categories. I have fewer thoughts on all of the others, so this should pretty much split the length up in half, with the second set of reactions coming out probably tomorrow sometime. For this post, I will also put my score (out of 100 for films; out of 5 for performances, directorial efforts, and screenplays) next to everything, as well as ranking them.

Best Picture Predictions:
1.      12 Years a Slave
2.      Gravity
3.      American Hustle
4.      The Wolf of Wall Street
5.      Nebraska
6.      Saving Mr. Banks
7.      Captain Phillips
8.      Her
9.      Inside Llewyn Davis
10.  Dallas Buyers Club
First Ones In: Blue Jasmine; August: Osage County
Other Alternates: Philomena; Before Midnight
Actual Best Picture:
1.      12 Years a Slave (97)-1
2.      American Hustle (56)-9
3.      Captain Phillips (88)-6
4.      Dallas Buyers Club (95)-3
5.      Gravity (91)-5
6.      Her (96)-2
7.      Nebraska (62)-8
8.      Philomena (78)-7
9.      The Wolf of Wall Street (94)-4
Score: 7/9
Reaction: If you stick to the Academy’s number of 9 nominees, then I got 7/9, or 8/9 if you allow me 10 prediction slots for 9 nominations. Anyway, that’s not all that bad, I don’t think, though last year I was perfect in this category, 9/9, with Moonrise Kingdom as my #10. That said, I am pretty ecstatic with the results here. Sure, I don’t think this category (or pretty much any of them for that reason) should be touching American Hustle or Nebraska with a 10-foot pole, but it was going to happen all along, so I’m not going to fight it (trust me, there’s much complaining to come on that front). Dallas Buyers Club getting in absolutely terrific, and while I’m disappointed I didn’t get Saving Mr. Banks right, I’m happier that Philomena was nominated as opposed to SMB. Very, very, very disappointed Inside Llewyn Davis failed to make it on, though.

Best Director Predictions:
1.      Steve McQueen for 12 Years a Slave
2.      Alfonso Cuarón for Gravity
3.      Martin Scorsese for The Wolf of Wall Street
4.      Paul Greengrass for Captain Phillips
5.      David O. Russell for American Hustle
First One In: Alexander Payne for Nebraska
Other Alternates: Spike Jonze for Her; Woody Allen for Blue Jasmine; J.C. Chandor for All Is Lost
Actual Best Director:
1.      Alfonso Cuarón for Gravity (5)-1
2.      Steve McQueen for 12 Years a Slave (5)-2
3.      Alexander Payne for Nebraska (2.5)-4
4.      David O. Russell for American Hustle (2)-5
5.      Martin Scorsese for The Wolf of Wall Street (5)-3
Score: 4/5
Reaction: Again, not a bad showing at all. Alexander Payne is an Academy darling, so I’m not surprised, even though I think his nomination, as well as Russell’s, is horrendous. Russell is such an absolute jerk that he deserves nothing, ever. I really liked his direction of Silver Linings Playbook, but here he shows his true colors. He has put Christopher Nolan in a headlock for trying to steal Jude Law for a movie (Jude Law? Seriously!). He also got into a fistfight with Clooney over his poor treatment of extras (I assume that was on Three Kings), and his fights with Lily Tomlin, which can be found on YouTube, are pretty bad. (All info courtesy of Louis Morgan (actoroscar.blogspot.com)). There were really only 6 legitimate contenders this year (sorry, Spike), and Greengrass’s hand-held, wobbly style is troubling to many, so his absence is understandable, and thus Payne gets on.

Best Actor Predictions:
1.      Chiwetel Ejiofor in 12 Years a Slave
2.      Matthew McConaughey in Dallas Buyers Club
3.      Tom Hanks in Captain Hanks
4.      Bruce Dern in Nebraska
5.      Robert Redford in All Is Lost
First One In: Christian Bale in American Hustle
Second One In: Leonardo DiCaprio in The Wolf of Wall Street
Third One In: Oscar Isaac in Inside Llewyn Davis
Other Alternates: Joaquin Phoenix in Her; Michael B. Jordan in Fruitvale Station; Forest Whitaker in Lee Daniels’ The Butler
Actual Best Actor:
1.      Christian Bale in American Hustle (3)-5
2.      Bruce Dern in Nebraska (4)-4
3.      Leonardo DiCaprio in The Wolf of Wall Street (5)-2
4.      Chiwetel Ejiofor in 12 Years a Slave (5)-3
5.       Matthew McConaughey in Dallas Buyers Club (5)-1
Score: 3/5
Reaction: This was very unfortunate. I have seen neither Hanks nor Redford, but I have not heard anything negative about any of them, and most things are quite positive, so it’s a shame that somebody so mediocre like Bale gets on. When I saw Cooper and then Bale get nominations, I knew American Hustle was in for making a killing, and they did. It’s a borderline terrible movie that is poorly directed, disgustingly overacted, horrendously underacted, and just plain bad. Not one “character-driven” moment seems authentic in any way, and much of the film, which should be continuously fun in the vein of the ‘70s heist it masquerades as, is terribly boring. Bale is fine, but does nothing with his character, which fortunately for him, is supposed to be a boring guy.

Best Actress Predictions:
1.      Cate Blanchett in Blue Jasmine
2.      Sandra Bullock in Gravity
3.      Emma Thompson in Saving Mr. Banks
4.      Judi Dench in Philomena
5.      Meryl Streep in August: Osage County
First One In: Amy Adams in American Hustle
Other Alternates: Brie Larson in Short Term 12; Adèle Exarchopoulos in Blue Is the Warmest Colour; Julie Delpy in Before Midnight
Actual Best Actress:
1.      Amy Adams in American Hustle (3.5)-3
2.      Cate Blanchett in Blue Jasmine (not seen)-N/A
3.      Sandra Bullock in Gravity (4.5)-1
4.      Judi Dench in Philomena (3.5)-2
5.      Meryl Streep in August: Osage County (not seen)-N/A
Score: 4/5
Reaction: It is very unfortunate that Emma Thompson got snubbed for Amy Adams’ performance and for Meryl Streep. Let’s be honest: Streep got on because she’s Streep (granted I haven’t seen her). Adams used to be my favorite lead member of Hustle’s cast, but the more I think about her, the more I dislike her. It’s unfortunate that Thompson, my current #2 for the year, got snubbed. Her film was so-so at times, but she was always great, lending much-needed depth to a sometimes idle script. Kristen Bell not even being in the conversation for her brilliant voice work in Frozen is understandable, but frustrating nonetheless.

Best Supporting Actor:
1.      Jared Leto in Dallas Buyers Club
2.      Michael Fassbender in 12 Years a Slave
3.      Barkhad Abdi in Captain Phillips
4.      Daniel Brühl in Rush
5.      James Gandolfini in Enough Said
First One In: Bradley Cooper in American Hustle
Second One In: Tom Hanks in Saving Mr. Banks
Third One In: Jonah Hill in The Wolf of Wall Street
Other Alternates: nobody really
Actual Best Supporting Actor:
1.      Barkhad Abdi in Captain Phillips (5)-2
2.      Bradley Cooper in American Hustle (2)-5
3.      Michael Fassbender in 12 Years a Slave (5)-1
4.      Jonah Hill in The Wolf of Wall Street (3)-4
5.      Jared Leto in Dallas Buyers Club (5)-3
Score: 3/5
Reaction: First, let’s get the snubs out of the way before I rage against the machine. I thought James Gandolfini would get on because he had the SAG nomination and because he died within the past year, but evidently playing completely against type (film type, evidently he was an immensely gentle and loving guy in real life) and dying isn’t good enough. Brühl, who I figured was a long shot at the beginning, got every single major prerequisite nomination. SAG, BAFTA, Globes. What else does a guy need? I haven’t seen Rush, which was completely shut-out surprisingly, so I can’t comment, but he’d be hard-pressed to be worse than Cooper. Hill was fine, and better than his Moneyball nomination, but he wasn’t worthy of his nomination. Cooper was horrendous. He played an off-the-wall character, but never figured out how to create an actual character. Instead, his outbursts have no backing in the personality he otherwise emits, which should have been an overly ambitious one. Everything about this performance is bad, and I’m toying with knocking him down to a 1.5 instead of a 2.

Best Supporting Actress Predictions:
1.      Lupita Nyong’o in 12 Years a Slave
2.      Jennifer Lawrence in American Hustle
3.      Julia Roberts in August: Osage County
4.      June Squibb in Nebraska
5.      Sally Hawkins in Blue Jasmine
First One In: Oprah Winfrey in Lee Daniels’ The Butler
Other Alternates: nobody, but there should be, especially Sarah Paulson and Alfre Woodard in 12 Years, Carey Mulligan in Inside Llewyn, Jennifer Garner in Dallas Buyers, and Margot Robbie in The Wolf.
Actual Best Supporting Actress:
1.      Lupita Nyong’o in 12 Years a Slave (5)-1
2.      Jennifer Lawrence in American Hustle (3.5)-3_
3.      Julia Roberts in August: Osage County (not seen)-N/A
4.      June Squibb in Nebraska (3.5)-2
5.      Sally Hawkins in Blue Jasmine (not seen)-N/A
Score: 5/5
Reaction: Checkmate, atheists! It’s a real shame I got all 5 in such a terribly weak category, though. Nyong’o was a shoo-in, but her co-star Sarah Paulson should have been, too. Roberts, sight unseen, is obviously a co-lead, but I’ve heard it might be her first semi-good performance, so kudos to her. Squibb is fine as the sassy old woman but adds little-to-no of the requisite emotional depth. Lawrence is sometimes overacting and sometimes entertaining, though she always just seems to be repeating her SLP performance when she is the latter. Perhaps worst of all, though, she is, at age 23, incredibly unconvincing as a woman who has supposedly been in a dead-end marriage for 10 years of so. Is terrible casting, and Lawrence does nothing to help it.

Best Adapted Screenplay:
1.      12 Years a Slave (John Ridley)
2.      The Wolf of Wall Street (Terence Winter)
3.      Philomena (Steve Coogan and Jeff Pope)
4.      Captain Phillips (Billy Ray)
5.      Before Midnight (Richard Linklater, Ethan Hawke, and Julie Delpy)
First One In: August: Osage County (Tracy Letts)
Second One In: Lone Survivor (Peter Berg)
Other Alternates: none that I can think of
Actual Best Adapted Screenplay:
1.      12 Years a Slave (John Ridley) (5)-2
2.      Before Midnight (Richard Linklater, Ethan Hawke, and Julie Delpy) (not seen)-N/A
3.      Captain Phillips (Billy Ray) (4-4.5)-4
4.      Philomena (Steve Coogan and Jeff Pope) (4.5)-3
5.      The Wolf of Wall Street (Terence Winter) (5)-1
Score: 5/5
Reaction: 2 perfects in a row. As far as I know, this is a very strong category, and the only film with the potential to be a better option than one of these is Frozen, which wasn’t even in the conversation, so what can you do.

Best Original Screenplay:
1.      American Hustle (Eric Warren Singer and David O. Russell)
2.      Her (Spike Jonze)
3.      Blue Jasmine (Woody Allen)
4.      Inside Llewyn Davis (Joel and Ethan Coen)
5.      Nebraska (Bob Nelson)
First One In: Dallas Buyers Club
Second One In: Enough Said (Nicole Holofcener)
Other Alternates: Gravity (Alfonso Cuarón and Jonás Cuarón)
Actual Best Original Screenplay:
1.      American Hustle (Eric Warren Singer and David O. Russell) (2.5)-3
2.      Blue Jasmine (Woody Allen) (not seen)-N/A
3.      Dallas Buyers Club (Craig Borten and Melisa Wallack) (4.5)-2
4.      Her (Spike Jonze) (5)-1
5.      Nebraska (Bob Nelson) (2.5)-4
Score: 4/5
Reaction: This is a pretty bad category. Gravity, a pretty weak script, would have made this a better category, as would have Saving Mr. Banks’s sappy, schmaltz-fest. I’m sure Blue Jasmine and Her are good, but they cannot save this category from the terribleness in the room, American Hustle and Nebraska.

Of the films nominated in these 8 major categories, I still must see Captain Phillips and Her, both of which I hope to see this weekend, as well as Blue Jasmine, August: Osage County, and Before Midnight.

As I said, I will probably get the rest of the categories out tomorrow. At the end of that, I will do some sort of summation where I discuss overall goods, bads, and uglies (I think most people know where that one will lead). Until then, good night, and good luck.